1.0on art Magazinehttps://on-art.news/enrich600338<blockquote class="wp-embedded-content" data-secret="gYdxV4zoZE"><a href="https://on-art.news/en/2023/01/13/fatale-erzaehlkunst/">Fatale Erzählkunst</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://on-art.news/en/2023/01/13/fatale-erzaehlkunst/embed/#?secret=gYdxV4zoZE" width="600" height="338" title="“Fatale Erzählkunst” — on art Magazine" data-secret="gYdxV4zoZE" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script> /*! This file is auto-generated */ !function(d,l){"use strict";l.querySelector&&d.addEventListener&&"undefined"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!/[^a-zA-Z0-9]/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret="'+t.secret+'"]'),o=l.querySelectorAll('blockquote[data-secret="'+t.secret+'"]'),c=new RegExp("^https?:$","i"),i=0;i<o.length;i++)o[i].style.display="none";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute("style"),"height"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):"link"===t.message&&(r=new URL(s.getAttribute("src")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener("message",d.wp.receiveEmbedMessage,!1),l.addEventListener("DOMContentLoaded",function(){for(var e,t,s=l.querySelectorAll("iframe.wp-embedded-content"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute("data-secret"))||(t=Math.random().toString(36).substring(2,12),e.src+="#?secret="+t,e.setAttribute("data-secret",t)),e.contentWindow.postMessage({message:"ready",secret:t},"*")},!1)))}(window,document); //# sourceURL=https://on-art.news/wp-includes/js/wp-embed.min.js </script>https://on-art.news/wp-content/uploads/2023/01/Rossetti_Helena-von-Troja-858x1024.jpg8581024Über Femme fatale. Blick – Macht – Gender, Hamburger Kunsthalle, 9. Dezember 2022 bis 10. April 2023. Sich windend wie der Rhein um den Felsen, auf dem seit dem ausgehenden 18. Jahrhundert das Sinnbild der Loreley wohnt, nimmt die Ausstellung Femme fatale. Blick – Macht – Gender die Sirene aus Clemens Brentanos Ballade Lore Lay […]