{"id":2341,"date":"2025-02-04T22:24:26","date_gmt":"2025-02-04T21:24:26","guid":{"rendered":"https:\/\/on-art.news\/?p=7567"},"modified":"2026-08-14T22:00:01","modified_gmt":"2026-08-14T20:00:01","slug":"akademie-nuernberg-die-absolventinnen-2025","status":"publish","type":"post","link":"https:\/\/on-art.news\/en\/2025\/02\/04\/akademie-nuernberg-die-absolventinnen-2025\/","title":{"rendered":"Akademie N\u00fcrnberg: Die Absolvent:innen 2025"},"content":{"rendered":"<h3 class=\"wp-block-heading\">Am 8. und 9. Februar zeigen die 33 diesj\u00e4hrigen Absolvent:innen der Akademie der Bildenden K\u00fcnste N\u00fcrnberg ihre Abschlussarbeiten<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">Als \u00e4lteste Kunstakademie Deutschlands stellt sich die AdBK N\u00fcrnberg der Herausforderung, Traditionen zu wahren und Innovationen nachhaltig zu etablieren. Zum Abschluss des Wintersemesters pr\u00e4sentieren die Absolvent*innen aller Fachrichtungen der Akademie der Bildenden K\u00fcnste N\u00fcrnberg ihre Abschlussarbeiten. Der gesamte Campus dient als Pr\u00e4sentationsfl\u00e4che. Die Ausstellung ist neben der Jahresausstellung im Sommer der H\u00f6hepunkt des Studienjahres.<br>Insgesamt&nbsp;33&nbsp;Absolvent:innen&nbsp;aus den Studienbereichen&nbsp;Bildende Kunst&nbsp;mit den Schwerpunkten&nbsp;Freie Kunst,&nbsp;Grafik-Design&nbsp;sowie&nbsp;Schmuck und Ger\u00e4t&nbsp;\/&nbsp;Lehramt Kunst am Gymnasium&nbsp;zeigen ihre Abschlussarbeiten.<\/p>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"768\" height=\"1024\" data-id=\"1257\" src=\"https:\/\/on-art.news\/wp-content\/uploads\/2025\/02\/Julian-Stampfer-768x1024.jpg\" alt=\"\" class=\"wp-image-1257\" srcset=\"https:\/\/on-art.news\/wp-content\/uploads\/2025\/02\/Julian-Stampfer-768x1024.jpg 768w, https:\/\/on-art.news\/wp-content\/uploads\/2025\/02\/Julian-Stampfer-225x300.jpg 225w, https:\/\/on-art.news\/wp-content\/uploads\/2025\/02\/Julian-Stampfer-1152x1536.jpg 1152w, https:\/\/on-art.news\/wp-content\/uploads\/2025\/02\/Julian-Stampfer-1536x2048.jpg 1536w, https:\/\/on-art.news\/wp-content\/uploads\/2025\/02\/Julian-Stampfer-scaled.jpg 1920w\" sizes=\"(max-width: 768px) 100vw, 768px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"764\" height=\"1024\" data-id=\"1256\" src=\"https:\/\/on-art.news\/wp-content\/uploads\/2025\/02\/Stefanie_-Probst-764x1024.jpg\" alt=\"\" class=\"wp-image-1256\" srcset=\"https:\/\/on-art.news\/wp-content\/uploads\/2025\/02\/Stefanie_-Probst-764x1024.jpg 764w, https:\/\/on-art.news\/wp-content\/uploads\/2025\/02\/Stefanie_-Probst-224x300.jpg 224w, https:\/\/on-art.news\/wp-content\/uploads\/2025\/02\/Stefanie_-Probst-768x1029.jpg 768w, https:\/\/on-art.news\/wp-content\/uploads\/2025\/02\/Stefanie_-Probst-1146x1536.jpg 1146w, https:\/\/on-art.news\/wp-content\/uploads\/2025\/02\/Stefanie_-Probst-1528x2048.jpg 1528w, https:\/\/on-art.news\/wp-content\/uploads\/2025\/02\/Stefanie_-Probst-scaled.jpg 1910w\" sizes=\"(max-width: 764px) 100vw, 764px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"999\" height=\"1024\" data-id=\"1259\" src=\"https:\/\/on-art.news\/wp-content\/uploads\/2025\/02\/Theresa_Eberl-untitled12-999x1024.jpeg\" alt=\"\" class=\"wp-image-1259\" srcset=\"https:\/\/on-art.news\/wp-content\/uploads\/2025\/02\/Theresa_Eberl-untitled12-999x1024.jpeg 999w, https:\/\/on-art.news\/wp-content\/uploads\/2025\/02\/Theresa_Eberl-untitled12-293x300.jpeg 293w, https:\/\/on-art.news\/wp-content\/uploads\/2025\/02\/Theresa_Eberl-untitled12-768x787.jpeg 768w, https:\/\/on-art.news\/wp-content\/uploads\/2025\/02\/Theresa_Eberl-untitled12-1498x1536.jpeg 1498w, https:\/\/on-art.news\/wp-content\/uploads\/2025\/02\/Theresa_Eberl-untitled12-1997x2048.jpeg 1997w\" sizes=\"(max-width: 999px) 100vw, 999px\" \/><\/figure>\n<figcaption class=\"blocks-gallery-caption wp-element-caption\"><strong>Links<\/strong>: Julian Stampfer, Biberspot, 2024. Acryl auf Holz, 2,5 x 4 Meter. <strong>Middle<\/strong>: Stefanie Probst, Keyframes of LOMAH, 2024. Digitale Malerei auf Polyester, 1,8 x 3 Meter. <strong>Right<\/strong>: Theresa Eberl, o. T., 2024. Malerei, Acryl auf Leinwand, je 1,6 x 0,95 Meter.<\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Theresa Eberls<\/em> Malereien bewegen sich zwischen Figuration und Abstraktion. In ihren farbintensiven Bildern entstehen undefinierte surreale R\u00e4ume, Formen und Strukturen, denen menschliche K\u00f6rper, Physiognomien, Tiere und Pflanzen zugrunde liegen. <em>Simone K\u00f6rner<\/em> und<br><em>Ari Pilhofer<\/em> untersuchen in ihrer fortlaufenden Serie &#8222;\u00d6l auf Schritt&#8220; durch Interventionen im \u00f6ffentlichen Raum den kolonialen Horizont des k\u00fcnstlerischen Blicks. Dabei dient eine von Simone K\u00f6rner angefertigte und getragene Jeans, bemalt im Schritt mit wasserbasierten Farben von Ari Pilhofer als Ausgangspunkt f\u00fcr filmische Sequenzen. <em>Julian Stampfer<\/em> fokussiert sich im Bereich Grafik-Design vornehmlich auf Comic und Illustration mit besonderem Interesse am visuellen Storytelling. In seinen Arbeiten verbindet er traditionelle Zeichentechniken mit modernen Designans\u00e4tzen und experimentiert mit typografischen Elementen, um auf verschiedene Arten und Weisen Themen des menschlichen Lebens darzustellen. <em>Leman Sevda Dar\u0131c\u0131o\u011flu<\/em> thematisiert in ihrer multidisziplin\u00e4ren Installation &#8222;Fire, everywhere&#8220; die Stigmatisierung und Widerstandsf\u00e4higkeit von Queeren-Communities von der Vergangenheit bis hin zur Gegenwart. Dabei verweist das Projekt auf die HIV\/AIDS-Krise, die Gewaltverbrechen w\u00e4hrend der Zeit des Nationalsozialismus und die Geschichte der Queeren-Bewegung in der T\u00fcrkei und erforscht dabei transnationale Strukturen von Erm\u00e4chtigung w\u00e4hrend es Heilung und Empowerment durch Widerstand, Gemeinschaft und Rituale anstrebt.<\/p>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-2 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"770\" data-id=\"1260\" src=\"https:\/\/on-art.news\/wp-content\/uploads\/2025\/02\/Leman_Sevda_Daricioglu-1024x770.jpg\" alt=\"\" class=\"wp-image-1260\" srcset=\"https:\/\/on-art.news\/wp-content\/uploads\/2025\/02\/Leman_Sevda_Daricioglu-1024x770.jpg 1024w, https:\/\/on-art.news\/wp-content\/uploads\/2025\/02\/Leman_Sevda_Daricioglu-300x226.jpg 300w, https:\/\/on-art.news\/wp-content\/uploads\/2025\/02\/Leman_Sevda_Daricioglu-768x578.jpg 768w, https:\/\/on-art.news\/wp-content\/uploads\/2025\/02\/Leman_Sevda_Daricioglu-1536x1155.jpg 1536w, https:\/\/on-art.news\/wp-content\/uploads\/2025\/02\/Leman_Sevda_Daricioglu-2048x1540.jpg 2048w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"725\" data-id=\"1261\" src=\"https:\/\/on-art.news\/wp-content\/uploads\/2025\/02\/Pennavaria_Digital-Cameras-HotSet-XFactor.jpg\" alt=\"\" class=\"wp-image-1261\" srcset=\"https:\/\/on-art.news\/wp-content\/uploads\/2025\/02\/Pennavaria_Digital-Cameras-HotSet-XFactor.jpg 900w, https:\/\/on-art.news\/wp-content\/uploads\/2025\/02\/Pennavaria_Digital-Cameras-HotSet-XFactor-300x242.jpg 300w, https:\/\/on-art.news\/wp-content\/uploads\/2025\/02\/Pennavaria_Digital-Cameras-HotSet-XFactor-768x619.jpg 768w\" sizes=\"(max-width: 900px) 100vw, 900px\" \/><\/figure>\n<figcaption class=\"blocks-gallery-caption wp-element-caption\"><strong>Links<\/strong>: 8-Stunden-Performance von Leman Sevda Dar\u0131c\u0131o\u011flu, Fire, everywhere, 2024. Foto: Sophia Loekenhoff. <strong>Right<\/strong>: Performance von Alessa Pennavaria, X-Factor: Beyond Belief, 2023.<\/figcaption><\/figure>\n\n\n\n<h3 class=\"wp-block-heading\">Absolvent:innen 2025<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Juliane Abart<\/strong> | Grafik-Design und Kommunikationsdesign | <strong>Jana Bauer<\/strong> | Freie Kunst und Kunstp\u00e4dagogik | <strong>Monika Baum <\/strong>| Freie Kunst mit Schwerpunkt Malerei | <strong>Anita Brandl <\/strong>| Interlocutory Agency | <strong>Hanna Christa<\/strong> | Freie Kunst | <strong>Lucy Cramer <\/strong>| Grafik-Design und Kommunikationsdesign | <strong>Leman Sevda Dar\u0131c\u0131o\u011flu<\/strong> | MA Live Art Forms | <strong>Ludwig Federmann<\/strong> | Freie Kunst und Kunstp\u00e4dagogik | <strong>Jorina Fricke<\/strong> | Grafik-Design und Kommunikationsdesign | Klasse Prof. Friederike Girst | <strong>Dominique Gierl<\/strong> | Bildhauerei | Klasse Prof. Michael Stevenson | <strong>Paul Gra\u00dfler<\/strong> | Grafik-Design und Kommunikationsdesign | <strong>Helen Hetzel<\/strong> | Bildhauerei | <strong>Ali Hos <\/strong>| Freie Kunst mit Schwerpunkt Malerei | <strong>Sun Jiaqui <\/strong>| Interlocutory Agency | <strong>Ireen Jacobi<\/strong> | Grafik-Design und Kommunikationsdesign | <strong>Karen Jakobs <\/strong>| Freie Kunst und Kunstp\u00e4dagogik | <strong>Anastasia K\u00e4hm<\/strong> | Freie Kunst mit Schwerpunkt Malerei | <strong>Leonie Kiefer <\/strong>| Freie Kunst und Kunstp\u00e4dagogik\u00a0| <br><strong>Simone K\u00f6rner<\/strong> | Freie Kunst | <strong>Moses Kr\u00e4mer<\/strong> | Schmuck und Ger\u00e4t | <strong>Docjong Lee<\/strong> | Freie Malerei und Kunsterziehung | <strong>Denise Mathiesen<\/strong> | Bildhauerei | <strong>Alessia Pennavaria<\/strong> | Bildhauerei | <strong>Ari Pilhofer<\/strong> | Freie Kunst | <strong>Stefanie Probst<\/strong> | Freie Kunst mit Schwerpunkt Malerei | <strong>Max Reubel<\/strong> | Freie Kunst | <strong>Alexandru \u0218alariu<\/strong> | Bildhauerei | <strong>Simon Schalle<\/strong> | Vernetzte Materialit\u00e4t | <strong>Paul Schober<\/strong> | Freie Kunst mit Schwerpunkt Malerei | <strong>Julian Stampfer<\/strong> | Grafik-Design und Kommunikationsdesign | <strong>Jesko von Staden<\/strong> | Freie Malerei |<br><strong>Jonathan Werner<\/strong> | Freie Kunst | <strong>tomwi<\/strong> | Freie Kunst und Kunstp\u00e4dagogik<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Zur Ausstellung erscheint ein Katalog mit Beitr\u00e4gen der Absolvent:innen, gestaltet von Lucia Schmuck und Elisabeth Thoma.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Er\u00f6ffnung:<strong> <\/strong>Freitag, 07. Februar, 18 Uhr,  \u00d6ffnungszeiten: Samstag und Sonntag, 14 &#8211; 19 Uhr<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/adbk-nuernberg.de\">https:\/\/adbk-nuernberg.de<\/a><\/p>","protected":false},"excerpt":{"rendered":"<p>Am 8. und 9. Februar zeigen die 33 diesj\u00e4hrigen Absolvent:innen der Akademie der Bildenden K\u00fcnste N\u00fcrnberg ihre Abschlussarbeiten Als \u00e4lteste Kunstakademie Deutschlands stellt sich die AdBK N\u00fcrnberg der Herausforderung, Traditionen zu wahren und Innovationen nachhaltig zu etablieren. Zum Abschluss des Wintersemesters pr\u00e4sentieren die Absolvent*innen aller Fachrichtungen der Akademie der Bildenden K\u00fcnste N\u00fcrnberg ihre Abschlussarbeiten. Der [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":1258,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"inline_featured_image":false,"footnotes":""},"categories":[2],"tags":[30],"autor":[1652],"class_list":["post-2341","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-announcements","tag-akademie-der-bildenden-kuenste-nuernberg","autor-akademie-der-bildenden-kuenste-nuernberg"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Akademie N\u00fcrnberg: Die Absolvent:innen 2025 - on art Magazine<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/on-art.news\/en\/2025\/02\/04\/akademie-nuernberg-die-absolventinnen-2025\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Akademie N\u00fcrnberg: Die Absolvent:innen 2025 - on art Magazine\" \/>\n<meta property=\"og:description\" content=\"Am 8. und 9. Februar zeigen die 33 diesj\u00e4hrigen Absolvent:innen der Akademie der Bildenden K\u00fcnste N\u00fcrnberg ihre Abschlussarbeiten Als \u00e4lteste Kunstakademie Deutschlands stellt sich die AdBK N\u00fcrnberg der Herausforderung, Traditionen zu wahren und Innovationen nachhaltig zu etablieren. Zum Abschluss des Wintersemesters pr\u00e4sentieren die Absolvent*innen aller Fachrichtungen der Akademie der Bildenden K\u00fcnste N\u00fcrnberg ihre Abschlussarbeiten. 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